The C500 Mark II is definitely a cinema camera. Jaguar F-PACE advert - behind the scenes For shooting fast-action in mountainous terrain, the Canon EOS C500 Mark II was the perfect partner for filmmaker Brett Danton. Super 35mm DGO Sensor with 16+ stops of Dynamic Range It seemed 8K full-frame raw came at a price. Then as summer heated up, so did the over-heating news following initial R5 testing. In order of release came the Canon C500 Mark II, the C300 Mark III, and now the hotly marketed 8K capable R5 and 4K R6 mirrorless cameras; as I write this, news of the new C70 has landed. If you’re using cine lenses or heavier zoom lenses then definitely yes. Tracking Arctic cod from sea to plate with the Canon EOS C500 Mark II When the coronavirus pandemic forced him to delay his plans to shoot in Antarctica, Italian documentary filmmaker Roberto Palozzi travelled to northern Norway instead – in freezing February conditions – to track the journey of one of Italy's favourite foods: dried cod. With a modular design and interchangeable lens mounts, it can be a shoulder mounted, ENG style camera one day and a compact gimbal camera the next. It quickly garnered a reputation for both picture quality and reliability in the field, being used by major broadcasters for a wide variety of productions. It quickly … Then as summer heated up, so did … If you are a Canon user owning a EOS R with the newest RF glass, than you cant use these with the new C500 Mark II. You can also drag your finger across the LCD screen to move the frame. This camera is a close relative of the Canon EOS C500 Mark II; in fact, the C300 III’s body is identical to the C500 II.This means the C300 III is more modular than its predecessor, and that it can use all the accessories designed for the C500 II. Canon EOS C500 Mark II ... Auto Focus Modes (EF Mount) One-Shot AF, Continuous AF and AF-Boosted MF. In addition, the DIGIC DV 7 enables high frame rate recording, Dual Pixel Auto Focus, Canon RAW Light Recording, HDR (PQ and HLG) output, electronic image stabilization, proxy recording, and oversampling processing. When used with the LCD Monitor LM-V2 with touch panel support, the Dual Pixel CMOS AF provides sophisticated focusing with a … I took the lens to Sydney Taronga Zoo, Newport Beach, and Sydney Harbour. On a compatible EF Cinema/broadcast lens, enable manual adjustment on the lens. Above you can see the lens on the Canon 500 Mark II in full frame. The Canon EOS C500 Mark II (B&H, Adorama) features a 5.9K full-frame sensor with 60p recording 5.9K and 4K (2K recording at 120p) and 15 stops of dynamic range. At the heart of the EOS C500 Mark II is the same sensor found inside Canon’s EOS C700 camera, a5.9K full-frame 17:9 sensor, which Canon says offers more than 15 stops of dynamic range. The EOS C500 Mark II supports Canon Log 2 and Canon Log 3 Gamma. For DAF, each pixel in the camera’s CMOS sensor is configured with two photodiodes. The following video presents Introducing the Canon EOS C500 Mark II: “Impressive usability and imaging power combine in the EOS C500 Mark II, the customizable full-frame cinema camera that’s built for creative freedom.The lightweight body comes equipped with Canon’s 5.9K full-frame CMOS sensor capable of over 15 stops of dynamic range. Press the CANCEL button to return the focus guide's frame to the center of the screen. If necessary, use the joystick to move around the magnification frame and check other parts of the image. Instructions for using face detection on the EOS C500 Mark II are included below. In CAMERA mode, the camera offers the following ways to focus, depending on the lens used. A computer (OS requirements: Windows 10, Windows 8.1, Windows 8) 3. The EOS C500 Mark II boasts ground-breaking AF technology, using a CMOS sensor with a construction that combines the functions of both imaging and phase difference AF. Canon Color & Autofocus. With some EF lenses, you may be able to operate the focus ring even when the focus mode switch is set to AF. SD/SDHC/SDXC memory card with a capacity of 512MB or more (commercially available) 4. If you are not using the camera grip, you can set an assignable button to [Focus Guide]. When adjusting the focus, be careful not to touch the front of the lens or moving parts on th elens except for the focus ring. This possible slight shift in focus is a result of the internal temperature rising in the camera and lens. DAF can survey the scene and recognizes not only whether the subject is in focus … When the focus guide and face detection functions are used together, the focus guide may not focus the main subject's eyes correctly, depending on the direction in which the face is turned. We heard from one director of photography who thinks that the Canon C500 Mark II fits the bill perfectly. You can use face detection with one of the autofocus … The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. Along with the new Canon C200, the C300 Mark II holds the crown for best continuous autofocus implementation available today. The camera incorporates Dual Pixel CMOS AF technology for advanced autofocus performance with compatible lenses. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. The focus guide cannot be used in the following cases: While the focus is being adjusted automatically using one-shot AF, AF-Boosted MF or continuous AF. Press SET to switch back and forth between 5x and 10x magnification. Canon introduced phase detection dual pixel auto focus (DPAF) in 2013, with the EOS 70D camera, calling the technology “revolutionary.”. Focus Guide. This design not only allows for more modularity within the C300 line but also means all accessories designed for the C500 Mark II will also work with the new C300 Mark III. EOS C500 Mark II Impressive usability and imaging power combine in the EOS C500 Mark II, the customizable full frame cinema camera that’s built for creative freedom. If you’re just using Canon still lenses then probably not. In order of release came the Canon C500 Mark II, the C300 Mark III, and now the hotly marketed 8K capable R5 and 4K R6 mirrorless cameras; as I write this, news of the new C70 has landed. It proved extremely popular for the broadcast and corporate markets and independent filmmakers alike, and propelled the Super 35 format into these segments. … The Canon C500 Mark IIis definitely more expensive on paper. Canon C500 Mark II can record up to 60 frames per second in Canon's Cinema Raw Light files, giving you the raw file flexibility in a smaller package. If you operate the zoom after focusing, the focus on the subject may be lost. The high … Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. The Sony FX9 and Canon C500 Mark II full frame cinema cameras. One-Shot AF, Continuous AF, AF-Boosted MF. When an optional RC-V100 Remote Controller is connected to the camera, you can adjust the focus with the remote controller's FOCUS dial. The camera offers two peaking levels. Dual-Pixel AF now with Eye Detect Autofocus Shoot 6K, 4K or 2K, all in full frame, plus up to 60fps in any resolution or 120fps in 2K. Enter the Canon C500 Mark II. Find out how the intelligent autofocus system in the EOS R5 and EOS R6 "makes it practically impossible to miss a shot". "The Cinema EOS Series has a modularity that is simply fantastic and, in the EOS C500 Mark II, the modularity has reached a level that was unimaginable a few years ago. 1. Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality. "The Cinema EOS Series has a modularity that is simply fantastic and, in the EOS C500 Mark II, the modularity has reached a level that was unimaginable a few years ago. I would rarely use the 6K at 2.1 MBps, cause it takes the 512GB card in 31 minutes, but surely there are people, who wouldn’t have problems with that, cause they have different needs. The EOS C500 Mark II’s interchangeability now makes it possible to take any PL lens and pair it with Canon’s state-of-the-art sensor to meet the needs of any project. The EOS C300 Mark III features Canon’s DIG!C DV7 image processor that takes the extensive RAW information captured from the imaging sensor and processes it for output. The C300 series has been a darling of unscripted TV and has excelled, in among other things, with its autofocus capabilities which made it highly suitable in a fast paced shoot. Ten stops of ND … For true anamorphic, the sensor needs to span at least 21.95mm x 18.6mm. When a manual focus lens is attached to the camera, except for compatible EF Cinema lenses. Press the button again to turn off peaking. Image: Canon. MELVILLE, N.Y., October 24, 2019 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced that its parent company, Canon Inc. is developing the highly anticipated Canon EOS-1D X Mark III Camera – the successor to the world-renowned and award-winning EOS-1D X Mark II. If you focus manually and then leave the camera with the power turned on, the focus on the subject may be lost after a while. At the beginning of 2012, Canon released the original C300. Using the Canon EOS C500 Mark II instead of the larger EOS C700 FF also meant the camera could be rigged up with monitors and follow-focus rigs, or stripped back to make it as light and compact as possible for use on a drone or gimbal. Years of innovation hit the market. 17 November 2020. You need to use the built-in extender to cover the image sensor. Then, in 2014, Sony announced the FS7. The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. The EOS C500 Mark II uses the DiG!C DV 7 image processor that takes the extensive raw information captured from the 5.9K sensor. Canon has been on a kick lately releasing new cinema cameras. For DAF, each pixel in the camera’s CMOS sensor is configured with two photodiodes. Possibly the most versatile full frame camera on the market, the Canon C500 Mark II is the ideal broadcast, documentary and cinema camera, all in one. Apart from the features that already made the C500 Mark II an interesting proposition – internal Cinema RAW Light recording, Dual Pixel Autofocus – in my opinion, there are two new features of the C300 Mark III which are most interesting about this camera: The newly introduced Dual Gain Output (DGO), which essentially combines two amplifications of a moving image into one, achieving a dynamic range … https://www.slashcam.de/artikel/Test/Canon-EOS-C500-Mark-II--Modulare-Vollformat-Kamera-mit-6K-RAW-und-Dual-Pixel-AF---Teil-1--Hauttoene--Autofokus.htmlThe new C500 MKII offers with its internal 6K RAW image and the further improved dual pixel autofocus technical specifications of the finest in a highly modular housing. Press the FOCUS GUIDE button to display the focus guide. EF to PL mount (PM-V1) 3. If the outside of the Canon C300 Mark III looks both different and familiar, there’s a reason why: it uses the exact same body as Canon’s C500 Mark II camera. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. The Cinema EOS C500 Mark II features Canon’s Dual Pixel CMOS AF Technology.